Portrait of a charioteer (inv. no. B172)

Item

Description
The head depicts a bearded male character very similar to the group of charioteers from the small sanctuary dedicated to Hercules Cubans, located between the Porta Portuensis and the station of Trastevere. The beard makes it very similar to a head of Emperor Hadrian preserved in the Museo Nazionale Romano - Diocletian's Baths.

Artwork

Typology
Portrait
Definition
Portrait of a charioteer (inv. no. B172)
Collection
Mariemont, Royal Museum.
Inventory number
B172
Provenance
Bought in Rome in 1896 by Warocqué, it was probably found a few years earlier between Porta Portese and the Church of San Pancrazio. Probably part of a group of charioteers from the roman sanctuary of Hercules Cubans.
Date
2nd c. CE
Material
White marble.
Dimensions
Height: 26 cm.

Analytical results

Analytical methods
VIS
UV
MO VIS
MO UV
MAXRF
Autoptic examination
Traces of yellow and brown are still visible to the naked eye on the beard, hair, right eye and skin.
Imaging
The traces of colour visible to the naked eye appear black-brown, on a yellow preparatory layer, under UV observation. The stratigraphy is confirmed by microscopic observations.

Polychromy technique

Under painting traces
Black traces around the eyes?
Pigments
Ochres (yellow), manganese-rich ochres.
Binder
n.d.
Stratigraphy
Pigments directly on marble.
Shading
Black dots on the beard.
Metallic traces
Tools marks
no
Background colour
no
Apparent marble parts
no
Restorations
no
Polychromy technique
On the skin of the forehead and around the eyes there is a very thin and translucent yellow-orange color, perhaps applied in a very diluted layer. The eyes show the same stratigraphy. The eyelid of the right eye and the contours are surrounded in black. The hair and beard have a bright yellow color, with strands highlighted in black and brown. The shading layer is made up of dots that let see the underlying yellow layer.

Polychromy type

Imitation of other supports
metal
Polychromy type
The portrait should then appear in yellow and yellow-orange with black strokes to highlight the eyes, hair and beard. The palette perhaps wanted to imitate an original in polychrome bronze.

Bibliography